“It’s not hard to see why Weiner’s new work has taken off. Her smooth, highly saturated gradients of paint catch the eye, and she deploys framing and compositional devices like spirals, curtains, and atmospheric perspective to draw it inward. Moons, instruments, amphoras, and hands folded in blessing recur in her work, part of a symbolic repertoire that conjures associations with the divine, the cyclical, and the spiritual. The idea of universal appeal underpins the work conceptually, too: Weiner is heavily influenced by the Swiss psychologist Carl Jung and his theory of the collective unconscious, which posits the existence of a symbolic language shared by humans across time. The artist’s role, Jung wrote, is to translate those symbls "into the language of the present."